S. Darko

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S. Darko
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Director
Chris Fisher
Briana Evigan, Daveigh Chase, Ed Westwick, Elizabeth Berkley, Jackson Rathbone, James Lafferty, John Hawkes, Justin Chatwin, Matthew Davis, Zulay Henao
101 mins
English


Taglines:

  • It's Time To Travel Forward


Contents

Synopsis

The story picks up seven years after the first film when little sister Samantha Darko and her best friend Corey are now 18 and on a roadtrip to Los Angeles when they are plagued by bizarre visions.

Review

Donnie Darko was a cult phenomenon. Made on a low budget, it failed to make a dent on the cost when initially released in the US. The following year it got a UK release, and went straight into profit, leading to a US re-release, and a wider success. The film was masterfully crafted, ambiguous in resolution to its story of a young man who may or may not be schizophrenic who has a vision of the end of the world. Throwing in time travel, alternate reality theories, and manipulated events, the film questioned destiny, and commented on fate. All this wrapped up in a beautifully shot film with an amazing soundtrack of haunting original music, well chosen 80's tracks, and one remake of a great track that hauntingly fitted the moment in the film it tied to. It was a film which needed no direct explanation of events, instead provoking thought and discussion as to what really happened, and what it was all about. The Director's Cut release went some way to clarifying some issues, but still left ambiguity to a degree, thus allowing you, the audience, the make your own mind up as to what was going on. The film needed no sequel...

Which brings us to this unnecessary, derivative, and dreadful attempt by a hack director to make his name by cashing in on cult success!

S. Darko picks up 7 years after the end of Donnie Darko, and his younger sister, Samantha (played once more by Daveigh Chase), is encountering her own alternate reality, only this time she is a manipulated dead (taking the 'Frank' role) guiding a washed out ex-soldier to stop the world from ending. Pretty much more of the same as last time around, with little attempts at referencing the original by way of names (there is a Frank who runs a garage, and the soldier is surnamed Sparrow... linking with Roberta Sparrow who wrote about time travel in the first), as though that will somehow lift the mess above the level it is at. It doesn't! The film attempts to blatantly rip off key moments from Donnie, such as 'burn it to the ground', or poorly concieved reasons for rabbit shaped masks, but seems to do it just for the sake of reference rather than having any point of purpose to the story. One of the most memorable moments in the first film was the 'Head Over Heels' introduction to the school, beginning with a spiral shot away from a school bus, and then following Donnie through the school halls. What made this scene so special was not just the music, or the 'fast-slow' direction, but the fact that it used 2 minutes of shot to introduce all the key characters in Donnie's school life without any dialogue, but in such a way that we know everything we need to know about their personalities. Well, in S.Darko a similar shot is used to walk through a party, but for no reason of introduction of character, simply just to rip off an iconic scene. Throw in someone jumping on a trampoline, and it is at this point that you realise this film is offering nothing new, no build on the original at all.

As a standalone film the story makes little to no sense. Donnie Darko at least was written by Kelly with a definite idea as to what was happening and why, even if it doesn't quite explain everything. All the clues were there if you dug down into examining every scene. With this film it seems to be deliberately written to make no sense at all, and the time manipulation used throughout is weak and unexplainable. As for the resolution (which sees another rip-off moment as we see the lives of those affected throughout played past in slow motion to music), it leaves no hint of resolution, or teases of ideas for you to care about. So, on its own merits this film is badly written, as a sequel it is diabolically bad! Donnie Darko had you leaving the theatre caring about what you saw, and trying to formulate an idea about what occurred. S.Darko has you wondering what else you can watch to take your mind off it!

If this film has any use it is in allowing us to re-examine Donnie Darko and realise exactly how well made the film was. It even allows those who were not enamoured with Southland Tales to perhaps see that film in a different light, as compared to this Richard Kelly's second film was a work of art! This was always going to be a tough sell of a film, as a sequel to such a cult success. Perhaps they should have renamed the lead character and attempted no link with Donnie. At least then it would just be a straight-to-DVD piece of trash, as opposed to one which tried to latch itself onto the coat-tails of greatness.

Trivia & Goofs

  • Sam has a copy of Roberta Sparrow's 'Philosophy of Time Travel' which apparantly belonged to Donnie. However, seeing as Donnie would never have got the book in the fixed timeline (where he was hit by the engine), this would make no sense. An attempt to explain this is revealed on the DVD delted scenes, saying that Donnie's teacher gave it to Sam - but you have to question why?
  • As above there is a picture of the 'Frank' mask drawn by Donnie in the book. Once again, as Donnie would never have met 'Frank' he would have had no reason to have sketched the image. The commentary on the DVD attempts to explain that Sam drew it, but this seems a feeble excuse and poor attempt to cover a glaring mistake.
  • The movie theater in the film is showing a double feature of "12 Monkeys" and "Strange Days." The title cards during the film say that the action takes place from 29 June 1995 to 4 July 1995. "Strange Days" was released in the US in October 1995, and "12 Monkeys" was not released in the US until December 1995.
  • At the diner S. Darko pays with a new $20 bill.


External links

|IMDB Page

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